Gwen Tuinman

Category

writing life

Today is UNREST Publication Day!


Brash, duplicitous women, murder and mayhem, and illicit love abound in this wild adventure for fans of Outlander and The Home for Unwanted Girls, announcing a major new talent in historical fiction.” —Random House Canada

UNREST, my 19-century historical novel has been released today! I can’t wait for you to read it!

Read more: Today is UNREST Publication Day!

Purchase links at Penguin Random House Canada. Available in hardcover, e-book, or audiobook.

Here’s the story of UNREST, and praise by renowned Canadian authors: Beith Powning, Genevieve Graham, Suzanne Desrochers, Alissa York and Alix Hawley.

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On Writing: Our Books as Shields

A recent movie version of Cyrano de Bergerac has me thinking about fiction authors releasing their thoughts into the world. Through love letters Cyrano writes to the lovely Roxane, on behalf of a young soldier wooing her, he expresses love for her that he’s too bashful to share directly.

Most writers, safe to say, are introverts with rich interior lives. We quietly curate personal experiences and observe human interactions and reactions. We compost, in our subconscious, scenarios both jarring and tender, impulsive and conservative. When we then write the interiority of a character or their response to crisis or great love, some of ‘us’ muddles in there too.

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On Writing to the Last Chapter

Maintaining focus for the duration of a novel is a lot like running a long distance. If you think you can, you can. A painter friend once told me that when they worked on a piece for over a month, boredom would set in. How did I stick with writing the same novel for two or three years?

The word compulsion leapt to mind. I’ve since distilled where that answer came from.

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On Writing a Personal Essay

When writing a personal essay, I lean toward overwriting. The first draft is for me and subsequent drafts are for the dear reader. Once the excess is simmered off, the resulting flavour is more intense. It’s tempting to pour in every memory levied and fact gleaned from research rabbit holes. Alas, I’m kept in check by a desire to serve the essay and by publication wordcount requirements. Some personal details and research remain on the cutting room floor.

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Where Stories Live

Nothing kills story innovation faster than our inner critic. It’s counterintuitive, but when writing drafts, we need to turn our brains off. When we work from our conscious mind, the ego takes over. What a poor sentence! That character should be more likable. Does this even resemble a book page. Our writing choices become predictable and guarded. The inner editor pulls us away from the magic.

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Country Life Suits This Writer

My husband and I are urban transplants, now proud ruralites living in an agricultural zone. This change of residence is a dream come true for us. To the north, south, east and west of our home we look out on cornfields and rippling waves of wheat. In every direction we see historic barns that mark family farms. In short, we’re in heaven.

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On Time Elasticity and Writing

Last October, my husband and I moved to a rural property. Since the spring, we’ve planted a small apple and pear orchard and started cottage gardens. We’ve also dug fruit beds and created sixteen 5 x 15-foot market gardens. These projects are labours of love that require daily watering, weeding, and staking. Already, I’m harvesting vegetables and the task of food preservation begins.

I’m also a novelist dedicated to production goals. My inner critic natters in my ear. You’re not spending enough hours with your butt in the chair, it says. But when I step back and analyse the actual facts, I realize that in spite of this new diversion of my time, my output is the same as in winter when hours were more abundant.

This is cause for me to think about time.

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Writers Fighting Resistance

Creative process and flow. I’m forever curious about the practices and self-talk that writers undergo to reach that special place where the story rolls out like a movie in their head. The flipside of that splendid flow is the quagmire of resistance. I’m also interested in what holds writers back. 

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Writing and Waiting

Writing involves a lot of waiting. If you’re a fiction writer, you know exactly what I mean. First we wait for the spark of an idea, that miraculous vibration felt in our core when a song or an image or a turn of phrase tells us this is the one. This is the kernel of truth upon which we can build more truths and a fully inhabited world. Yes, this could be a novel. We snatch up the nearest pen and paper to jot ideas before they dissipate. To miss recording them would mean more waiting.

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