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Gwen Tuinman

NOVELIST

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writing life

On Time Elasticity and Writing

Last October, my husband and I moved to a rural property. Since the spring, we’ve planted a small apple and pear orchard and started cottage gardens. We’ve also dug fruit beds and created sixteen 5 x 15-foot market gardens. These projects are labours of love that require daily watering, weeding, and staking. Already, I’m harvesting vegetables and the task of food preservation begins.

I’m also a novelist dedicated to production goals. My inner critic natters in my ear. You’re not spending enough hours with your butt in the chair, it says. But when I step back and analyse the actual facts, I realize that in spite of this new diversion of my time, my output is the same as in winter when hours were more abundant.

This is cause for me to think about time.

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Writers Fighting Resistance

Creative process and flow. I’m forever curious about the practices and self-talk that writers undergo to reach that special place where the story rolls out like a movie in their head. The flipside of that splendid flow is the quagmire of resistance. I’m also interested in what holds writers back. 

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Writing and Waiting

Writing involves a lot of waiting. If you’re a fiction writer, you know exactly what I mean. First we wait for the spark of an idea, that miraculous vibration felt in our core when a song or an image or a turn of phrase tells us this is the one. This is the kernel of truth upon which we can build more truths and a fully inhabited world. Yes, this could be a novel. We snatch up the nearest pen and paper to jot ideas before they dissipate. To miss recording them would mean more waiting.

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