Gwen Tuinman

Tag

writing life

On Writing: A Body at Work in a Body of Work

A few summers ago, my reading of Alias Grace kicked off a Margaret Atwood obsession. The inside cover listed 26 novels, 7 nonfiction works, 8 children’s books and 16 books of poetry. Other titles have since joined this dizzying inventory. While I listened to scores of online interviews to glean every bit of her wisdom, I most remember her advice to a pair of eager high-school-aged would-be writers. Take care of your back.

She reminded us that a body of work comes not only from cerebral exertion, but from unsung heroics of the body.

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How Long I Write Each Day

People often ask, how long I write each day. I stare above their head, then hem and haw as if grappling with a physics calculation. My brows shrug; my mouth purses. How long indeed?

I try to quantify how many hours I spend daily hunkered over the computer keyboard. Surely this is the writing they want to know about. But my answer changes day to day, depending on where I am in the creative loop.

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Writing Through Tough Days

A dear friend presented me with a copy of The Right to Write by Julia Cameron. This morning, I read a passage in which Cameron talks about using emotion as fuel for writing. I know just what she means.

Every day can’t be a great writing day. We’re only human and easily derailed. A song triggers the memory of a traumatic event and upsetting images flood our minds. Muscle tension from overworking makes our heads ache. Someone we love suffers hard times and our mind repeatedly veers towards worry like a shopping cart with a wonky wheel. The harder we try to put these thoughts from our minds, the deeper they entrench themselves. Why fight it when we can harness those emotion in a productive way?

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How Gratitude Journaling Enhances A Writing Life

Writing is a lot like running long distances. If we think we can, we can. Our minds and emotions are called upon, and sometimes cajoled, to jettison us across real and self-imposed deadlines. Even when we give it our all, the road can stretch long before us.

Between start and finish lines are magical effortless days anchored by disappointing ones when getting the story down feels like bench-pressing a Buick. And there are mediocre days, at the end of which, we forget the progress made in a manuscript. That’s the nature of art and creativity—knowing it’s so should silence the nattering critic in our heads. Well, at least it should.

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Trip to a Goat Farm

Oh my gosh—goats! Since choosing to incorporate a small herd into the novel (in progress), I’ve become completely enamoured with the little scamps. My curiosity was fully lit after a call out to my Facebook community garnered anecdotes and recommendations on where to learn more. I’m continually grateful for the anecdotes and facts they shared, many of which will colour the pages of my story.

“When they are happy, they do a little ‘corkscrew’ dance/prance which is very comical.” ~ Mila

 “The goat, unhappy at being left alone, would invariably open the field gate with her horns and strike out for company, joining us companionably for the duration of the walk.” ~ Aisha

“Merlin is so sweet & loving, & so smart! He loves to come up to you and let out a quiet maa, waiting for a leg or head massage.” ~ Hanna

Part of acquiring context and developing authenticity in writing can involve field research. I took that term quite literally when my husband Eric and I recently visited friends, Candice and Ken at their farm in Northumberland County. They introduced their herd of Lamancha goats and acquainted me with the basics of their behaviour and care. After growing up with fairy tales and children’s stories featuring billy goats, nanny goats and kids, it’s going to take some practise to refer to them as a buck and a females as a doe, and a youngster as a buckling or doeling.

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The Writer’s Quandry: Immersion vs Seclusion

A writer’s life involves a delicate balance between immersion and seclusion. We must be of the world to discover events and locales for exploration, to stimulate curiosity, to develop observations and empathy. In the chaos and trauma of everyday life, we learn what it is to be human. Our writing is not restricted to solely the inspiration of our own lives. Otherwise, we’d each write one or two books, perhaps a handful of poems, and be spent. The experiences of loved ones and complete strangers also inform our creations.

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Dream Life, Creativity, Self-knowledge

Twelfth century philosopher, Ibn Khaldun wrote that, “God created man in such a way that the veil of the senses could be lifted through sleep, which is a natural function of man. When that veil is lifted, the soul is ready to learn the things it desires to know in the world of Truth.” What a beautiful and comforting thought.

His idea couples well with the commonly held wisdom of sleeping on it when faced with a critical dilemma. Instead of making an on-the-spot decision, we use the period of sleep to separate our emotion from the issue. Sleeping on it is more than allowing ourselves an overnight cooldown period. Science shows that during slumber, instead of powering down like a computer, our minds work to synthesize the information and scenarios we’re wrestling with.

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Increasing the Odds of Creative Flow

In Still Writing: The Perils and Pleasures of a Creative Life, Dani Shapiro writes about renowned author Joyce Carol Oates. Over breakfast, Joyce’s husband asked if she’d like him to read aloud from a newspaper review of her newly released novel. She surprised him by answering no. “If it’s a good review it will ruin my writing day, and if it’s a bad review, it will ruin my writing day. Either way, I intend to have my writing day.”

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On Writing a Picture of the Whole World

Ernest Hemingway once wrote, “I am trying to make, before I get through, a picture of the whole world—or as much of it as I have seen. Boiling it down always, rather than spreading it thin.”  As a writer, his sentiment about rich story content is at the forefront of my mind. I strive to bring something of value to the page hoping to engage readers, if only to evoke their own introspection on the heels of my own.

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