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Gwen Tuinman

Author

Gwen Tuinman

Gwen Tuinman is a novelist, born and raised in rural southern Ontario. Fascinated by the landscape of human tenacity, she writes about people navigating the social restrictions of their era. Her storytelling is influenced by an interest in bygone days. She lives in the Kawartha Lakes region with her husband. Gwen is the author of UNREST (Random House Canada), a 19th-century historical adventure novel.

Mindfully Watching and Listening

Research by neurologists in UCLA proved that when we watch other people engaged in action, neurons associated with the muscle group used by the active party will begin to fire in our own body. The observer’s neurons “mirror” what is observed in others.

I remember watching The Pianist at a crowded theatre in 2002. At the end of the film, Wladyslaw Szpilman portrayed by Adrien Brody, played Chopin’s Grande Polonaise. When the camera closed in tight for an extended shot of his hands moving over the piano keyboard, the same neuron groups firing in the pianist were likewise activated in the theatre patrons. At the end of the film, the audience remained seated and staring at the screen in silence, perhaps emotionally exhausted like me. Throughout the film as we’d witnessed actors’ sorrowful looks or weeping on screen, the same neuron groups associated with these facial expressions were also activated in us. What’s more, our emotional neurons connected to those feelings also spark. Visual and auditory cues kickstart these empathetic neurons.

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Women Speaking

I once played a dinner-party game with friends. We took turns drawing cards from a deck of conversation starters. What famous person, dead or living, would you like to have dinner with? That sort of thing. The question I drew asked what famous person’s voice would I like to take on for a day.

Thought of certain theatrical artists and actors arose as I combed my mind for candidates. They train their voices for the stage. They learn to annunciate and project. Actors know how to breathe. You’d think breathing would come naturally. I often forget to do it when I’m anxious or overly focused on a task.  A well-meaning new acquaintance once commented unbidden, on the pitch of my voice and the way I spoke from ‘high in my throat’. She claimed that these aspects pointed to mother issues I’d yet to unpack. I gaped at her. Although I’ve written openly about the mother wound, the betrayal of my vocal cords felt like an ambush.  

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On Writing a Picture of the Whole World

Ernest Hemingway once wrote, “I am trying to make, before I get through, a picture of the whole world—or as much of it as I have seen. Boiling it down always, rather than spreading it thin.”  As a writer, his sentiment about rich story content is at the forefront of my mind. I strive to bring something of value to the page hoping to engage readers, if only to evoke their own introspection on the heels of my own.

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Nahneebahweequay (1824-1865)–A Champion for Indigenous Land Rights

Nahneebahweequay—a woman of courage and tenacity—was born in 1824 to the Mississaugas of the Anishinaabe First Nation. Her name means upright woman. She became an activist for Indigenous land rights with her feet planted firmly in both her native heritage and the English world in which she was known as Catherine Sutton. Her fight for justice led her to meet with Queen Victoria at Buckingham Palace.

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First Art Piece

I read an essay recently in which the writer reflects on the first piece of art she’d ever bought as a young woman. The purchase of this large gaudy painting, she declared years later, made no sense then or now. She deemed the colours too bright, and the subject matter unaligned with her cultural identity. By the final paragraph, however, she concludes that the painting reflected her mood at the time of purchase.

It got me to thinking about the first art I’d purchased. It’s become such a part of my environ that I haven’t considered it for some time. The piece is a stone sculpture by George Henry. I acquired it around 1978 at the gallery in Whetung Ojibwa Centre of Curve Lake, Ontario.

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Women’s Farming Activist: Georgina Binnie-Clark (1871-1947)

In the early 1900s, Georgina Binnie-Clark lobbied for women farmers’ equal right to claim government land grants and she educated new generations of women agriculturalists. Her story is particularly interesting in light of the present-day women’s farming movement and also because she campaigned for justice during an era that disapproved of outspoken women.

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Choose to Challenge

When I was nearing the end of high school in 1981, a forward-thinking teacher challenged one of my classes with this riddle.

A father and son were in a car accident in which the father was killed. The ambulance brought the son to the hospital. He needed immediate surgery. In the operating room, a doctor came in, looked at the boy and said, “I can’t operate. He is my son.”

Who was the doctor?

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Adulting: Then and Now

On her marriage certificate dated 1907, officials categorized my great-grandmother Essie as a spinster. She was only 22 years old. I thought of it when I read this quote:

“Since young people must meet ever-higher criteria (including more schooling) in order to become successful adults in the information age, the ladders they must climb to reach adulthood are lengthening. (…) In post-industrial societies like the United States, the age has shifted from twenty-two to twenty-six.” Imagining Ourselves: Global Voices from a New Generation of Women, Edited by Paula Goldman 
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Celebrating Zora Neale Hurston (1891-1960)

One of the most creatively formatted books I’ve read is Speak, So You Can Speak Again: The life of Zora Neale Hurston. This biography of Zora Neale Hurston is lush with details of her life journey through an expansive career that includes anthropological research of African-American culture and folklore; journalistic and novel writing; playwright and directorial work in the live theatre realm; and activism. She was a valuable contributor to Black History.

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