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Gwen Tuinman

Author

Gwen Tuinman

Gwen Tuinman is a novelist, born and raised in rural southern Ontario. Fascinated by the landscape of human tenacity, she writes about people navigating the social restrictions of their era. Her storytelling is influenced by an interest in bygone days. She lives in the Kawartha Lakes region with her husband. Gwen is the author of UNREST (Random House Canada), a 19th-century historical adventure novel.

Truth in Life Versus Truth in Art and Writing

In Aspects of the Novel, developed from a series of his 1927 Trinity College lectures, E.M. Forster shared an excerpt of work by author André Gide. The passage examines “the old thesis of truth in life versus truth in art.” Upon first reading this phrase, I thought brilliant idea—then doubled back for another pass and sunk into it like a warm bath. Truth in life versus truth in art.

The title of this piece you’re reading could easily be renamed Plato Versus Aristotle. The former believed artists create a mere imitation of life that distracts from truth. Aristotle took a view friendlier to creatives. “The aim of art is to represent not the outward appearances of things, but their inward significance.” The manner in which artists depict an object, projects their “inward” experience of the world—#speakyourtruth.

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A Return to Contentment

Why I woke up thinking of Popham’s Shoe Store this morning remains a mystery. I haven’t bought shoes there since I left my hometown forty years ago. Theirs was the only shoe store in town. During my public-school days in the early seventies, their shoe selection for children seldom changed. I learned to tie laces in a bow by practicing on black velvet saddle shoes with leather detailing around the eyelets. From kindergarten to second grade, I wore the exact same shoe in incremental sizes. In third grade I chose big girl shoes and repurchased that style until fifth grade. The pattern continued until I graduated to adult sizes.

The arrangement satisfied me. I was content. No one at school teased me because, with the exception of a few well-off town kids, we were all in the same boat. I usually had three or four school outfits, and play clothes for at home. Hand-me-downs, let out waistbands (and shirt buttons removed then sewn on further to the right) were the norm not the exception.

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Getting Things Done

As a creative person, I’ve historically found administrative to-do lists terrifying. I’d start off gung-ho, then turn into a morose Hamlet-type. “To get it done, or not to get it done. That is the question.” All those unticked boxes came to symbolize shame and guilt. They mounded up so heavily I couldn’t lift them. Why try?

In retrospect, each administrative task I listed was made of a subset of smaller tasks that could have comfortably been completed had I tackled them over a realistic timeline. But that would have been too kind.

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Pioneer Illnesses: Catarrh and Ague

I’ve nearly worn out my DVD box set of Dr. Quinn, Medicine Woman from having watched it so often. Dr. Michaela Quinn had the cure for almost everything and often sought the council of her First Nation Cheyenne friends who taught her about medicinal plants growing in the wilds. Episodes often mentioned people suffering a catarrh or ague. These terms appear in a number of pioneer journals as well and I’ve always been curious about their meaning.

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Dressing to Please Ourselves

I recently saw an Instagram post that asked, “When will the pandemic end? I just want to know if I should by pumps or more pajama pants.” We’re taught to dress for the occasion, but in past months we’ve been dressing for functionality and perhaps as an involuntary reflection of our mood.

Clothing, women, mood. Don’t we all have stories about this?

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I Knew I Was a Writer When …

About fifteen years ago in my pre-author life, I attended a creative writing workshop held at Robert McLaughlin Gallery in Oshawa, Ontario. At the time, I was an educator who’d never put stories to paper. Even so, I recall my enthusiasm for the chance to learn how artwork could launch students’ writing ideas.

The instructor led myself and the other teachers through collaborative writing exercises for which a series of grand oil paintings served as inspiration. To close out the day, we watched a short film produced by our instructor as an introduction to a live theatre piece. We were to watch and then write whatever came to mind.

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Believing Each Other Into Being

I’ve begun knitting a new pair of socks in brilliant teal. Already I have a feeling they’re not for me, but for someone else. I can’t envision their face yet or connect my hunch to a voice. No one has requested socks from me. But still, I know. Knit, knit. Pearl, pearl. My earbuds are tucked in and I’m listening to the podcast On Being with Krista Tippett. She’s just quoted a line written by poet, historian, philosopher and author of Doubt, Jennifer Michael Hecht.

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Writing Through Insomnia

Insomnia is the canary in my mineshaft.  Just when I think I know what I’m doing in a novel, it swoops in to chirp that I don’t know what I’m doing at all. After staring at the darkened ceiling for hours, I realize there’s flawed logic to be resolved. Too clever for my own good, I’ve painted my protagonist into a corner, corralled him or her into thinking or doing something contradictory to their true self. I dislike an unsolved riddle. A loose end is torture. Until I’ve figured out how to step out of that corner and continue onward, there’ll be no sleep.

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A Call for Temperance: Canada 1800s-1900s

In the early 1900s era during which my novel in-progress is set, patriarchal power frustrated women’s need for social change, specifically prohibition and ending domestic violence. We’d yet to attain the right to vote and in Canada, women were disallowed from holding public office because we didn’t qualify as “persons” under the definition set forth in the Constitution. Research deepens my understanding of the characters whose stories I tell. I’m feeling their aggravation.

When women unite, mountains move. How true this was when women spearheaded the temperance movement, an international campaign during the 1800-1900s to end social issues stemming from widespread alcohol abuse. Too often, Canadian women and children were impacted by a host of ills associated with alcoholism: domestic violence, poverty, disease, family breakdown, immorality, unemployment and workplace accidents.  

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