In 2011, I watched a TEDTalk entitled Stories Cut from Paper in which renowned paper artist Béatrice Coron discussed process and inspiration. Projected on the screen behind her was “Hells and Heavens”, an intricate and sprawling piece that had been exhibited at the Museum of Arts and Design in New York City. I marvelled at the individual yet connected stories she’d envisioned and brought to life. How did she lay her vision on the paper without losing sight of perspective and skewing the images?Continue reading “Choosing Well”
I find pleasure in revisiting an autumn reflection I wrote as the finish line to completing my manuscript for “The Last Hoffman” drew near. The forest is everything. But it’s even sweeter with Walt Whitman’s verses in hand.
I recently pushed away from my desk in favour of a walk in the forest with Whitman. The deadline to finish my novel looms, but a part of me called out the restorative time in nature. The October air was cool against my cheek that day and the earthy smell of fallen leaves ever present. The sumacs had turned blood red and the poplar leaves became shimmering coins against the sky.
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This growing stack of index cards will become my third novel. I recently posted on social media about how I’ve been writing plot points, research references and character profiles on them. A sweet friend commented, “Oh, that’s how you write a book.”
It is part of how I write a book—this time around. My approach to writing earlier books was different. During The Last Hoffman years, it came as a complete surprise that I was writing a book. The story began with inspired doodles, Continue reading “Novel Writing–Refining My Process”