Ernest Hemingway once wrote, “I am trying to make, before I get through, a picture of the whole world—or as much of it as I have seen. Boiling it down always, rather than spreading it thin.” As a writer, his sentiment about rich story content is at the forefront of my mind. I strive to bring something of value to the page hoping to engage readers, if only to evoke their own introspection on the heels of my own.
Continue reading “On Writing a Picture of the Whole World”
About fifteen years ago in my pre-author life, I attended a creative writing workshop held at Robert McLaughlin Gallery in Oshawa, Ontario. At the time, I was an educator who’d never put stories to paper. Even so, I recall my enthusiasm for the chance to learn how artwork could launch students’ writing ideas.
The instructor led myself and the other teachers through collaborative writing exercises for which a series of grand oil paintings served as inspiration. To close out the day, we watched a short film produced by our instructor as an introduction to a live theatre piece. We were to watch and then write whatever came to mind.
Continue reading “I Knew I Was a Writer When …”
This growing stack of index cards will become my third novel. I recently posted on social media about how I’ve been writing plot points, research references and character profiles on them. A sweet friend commented, “Oh, that’s how you write a book.”
It is part of how I write a book—this time around. My approach to writing earlier books was different. During The Last Hoffman years, it came as a complete surprise that I was writing a book. The story began with inspired doodles, Continue reading “Novel Writing–Refining My Process”
Gwen Tuinman 