Gwen Tuinman

Tag

introspection

A Boy, a Toy Chainsaw, and a Buddhist

There’s a route I walk through my neighbourhood when I’m trying to think and sometimes when I’m trying not to think. More often than not, I circle the loop solo (if you don’t count the characters of my novel riding on my shoulders). When other humans cross my path, I nod and give the smile that says, “Way to go, you’re out in the world.” We’re mostly introverted, hence the early hour of our stroll. But once in a while, the sidewalk presents a bubbling extrovert. What can you do but take notice?

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On Curiosity, Delight and Writing

“Survival lies in sanity, and sanity lies in paying attention (…) The quality of life is in proportion, always, to the capacity for delight. The capacity for delight is the gift of paying attention.”

Something about this quote from Julia Cameron’s The Artist’s Way has taken a hold of me and won’t let go. She’s written it by way of explaining her grandmother’s approach to enduring her husband’s years of careless living. The consequences of his actions inflicted much hardship, yet through it all, Grandmother focused on the positive, indulged her curiosities to stay sane, endure the bumpy ride.

Her approach to life is perfectly suited to a writer’s life. Our pursuits are sometimes put on hold due to life challenges, but for the most part, we push through difficult times and keep writing. To do this requires that we too pay attention and follow our curiosity. We infuse our imaginings with context, much like newly submerged tea leaves spreading their colour inside a cup.

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Notes on Riding a Bird

If I could take a ride on anything in the world, I’d choose a bird. As a child, I loved the story of Thumbelina, a girl—you guessed it—the size of a thumb. She could stand eye to eye with a frog, sail a fallen leaf across a pond and wear buttercups as hats.

The book illustrations were in a style reminiscent of the Victorians. My favourite was of Thumbelina riding a cerulean blue barn swallow with a burnt orange belly and a split tail. Together they soared above farms, church steeples, and villages. I hope an illustrator one day sees Thumbelina as an Indian girl swooping along the Ganges River, an afroed girl rocking Black Girl Magic a mile above her neighbourhood, or a First Nation girl leaning over a wing to touch the tops of soft pines.

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Women Speaking

I once played a dinner-party game with friends. We took turns drawing cards from a deck of conversation starters. What famous person, dead or living, would you like to have dinner with? That sort of thing. The question I drew asked what famous person’s voice would I like to take on for a day.

Thought of certain theatrical artists and actors arose as I combed my mind for candidates. They train their voices for the stage. They learn to annunciate and project. Actors know how to breathe. You’d think breathing would come naturally. I often forget to do it when I’m anxious or overly focused on a task.  A well-meaning new acquaintance once commented unbidden, on the pitch of my voice and the way I spoke from ‘high in my throat’. She claimed that these aspects pointed to mother issues I’d yet to unpack. I gaped at her. Although I’ve written openly about the mother wound, the betrayal of my vocal cords felt like an ambush.  

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A Return to Contentment

Why I woke up thinking of Popham’s Shoe Store this morning remains a mystery. I haven’t bought shoes there since I left my hometown forty years ago. Theirs was the only shoe store in town. During my public-school days in the early seventies, their shoe selection for children seldom changed. I learned to tie laces in a bow by practicing on black velvet saddle shoes with leather detailing around the eyelets. From kindergarten to second grade, I wore the exact same shoe in incremental sizes. In third grade I chose big girl shoes and repurchased that style until fifth grade. The pattern continued until I graduated to adult sizes.

The arrangement satisfied me. I was content. No one at school teased me because, with the exception of a few well-off town kids, we were all in the same boat. I usually had three or four school outfits, and play clothes for at home. Hand-me-downs, let out waistbands (and shirt buttons removed then sewn on further to the right) were the norm not the exception.

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Getting Things Done

As a creative person, I’ve historically found administrative to-do lists terrifying. I’d start off gung-ho, then turn into a morose Hamlet-type. “To get it done, or not to get it done. That is the question.” All those unticked boxes came to symbolize shame and guilt. They mounded up so heavily I couldn’t lift them. Why try?

In retrospect, each administrative task I listed was made of a subset of smaller tasks that could have comfortably been completed had I tackled them over a realistic timeline. But that would have been too kind.

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Believing Each Other Into Being

I’ve begun knitting a new pair of socks in brilliant teal. Already I have a feeling they’re not for me, but for someone else. I can’t envision their face yet or connect my hunch to a voice. No one has requested socks from me. But still, I know. Knit, knit. Pearl, pearl. My earbuds are tucked in and I’m listening to the podcast On Being with Krista Tippett. She’s just quoted a line written by poet, historian, philosopher and author of Doubt, Jennifer Michael Hecht.

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People We Used to Be

I’ve been reading Joan Didion’s essay On Keeping a Notebook in which she wrote, “I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive or not.” Such a tough pill to swallow if we harbour a modicum of negativity toward chapters of our lives we deem less than stellar. Maybe we once contended for too long with shoddy treatment by a lover, or lashed our own sharp cut into someone undeserving. Maybe we ate and drank too much, or denied ourselves too much. Maybe we lamented over imperfect thighs and noses when much greater atrocities inflicted others. Maybe we authored deception or were lied to. Maybe …

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Missing Pre-COVID Smiles

I visited my dentist for a cleaning, a mundane and slightly dreaded experience made all the more off putting by COVID. The hygienist welcomed me with a temperature gun to the forehead, a dousing of hand sanitizer, and a list of blanks to initial on a clipboard form. All acts were necessary for both our safety. And any one who might follow in our wake.

After the appointment ended, I returned to the reception area where four clerical staff sat in a row staring into the glow of individual computer screens behind a plexiglass wall. A voice asked, “Can I help you?” It was impossible to discern who’d spoken. No one had looked up from their screen. And their masks hid my cue–the speaker’s smile of engagement.

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